By Noko Mashilo
For many musicians, Artificial Intelligence (AI) is viewed as a threat to creativity. But for Zimbabwean gospel artist Mawamba Bunjira of Handidzokere Shure fame, the technology has become a powerful ministry tool that is helping him preserve the message of Christ while introducing his music to a new generation of listeners.
The 35-year-old musician from Mt Hampden, Harare, says AI has enabled him to revisit some of his most cherished gospel songs without compromising the biblical message that inspired them.
Bunjira, who has been involved in gospel music since 2010, has spent the past 16 years using music to encourage faith, hope and spiritual growth. His unique style blends traditional gospel with contemporary influences, including reggae gospel, while keeping Scripture at the heart of every composition.
“My music is rooted in biblical truth and worship. Every song I write or reimagine is intended to minister to people’s hearts and remind them of God’s love, faithfulness and saving grace. For me, music is not just entertainment, it is ministry,” said Bunjira.
His willingness to embrace innovation follows a successful cross-border collaboration with South African gospel artist Luyanda Ramatswi on the song Prayer in 2021. Although the two artists recorded their vocals separately in Zimbabwe and South Africa, modern technology enabled producers to seamlessly merge their performances into one song.
The collaboration introduced Bunjira’s music to wider audiences and convinced him that geographical distance no longer limits African artists from working together.
Instead of focusing only on recording new material, Bunjira has chosen to revive some of his earlier songs using AI-assisted production. Among the songs he has reimagined are Usadzokera Shure, Handidzokere Shure, Aripo, and Mufudzi Wangu.
“Many of my older songs still carry messages that remain relevant today. I wanted to give them new life using today’s production techniques while preserving their original spiritual message,” he explained.
According to Bunjira, AI serves as a creative assistant rather than a replacement for human inspiration. He uses platforms such as Suno AI together with modern music production and editing software to improve arrangements, instrumentation and overall production quality.
“I see AI as a tool that helps me communicate the Gospel more effectively, not as something that replaces my faith, my creativity or my relationship with God,” he said.
While some musicians fear AI could replace artists, Bunjira believes technology has always transformed the music industry, from recording studios to digital instruments and AI is simply the latest innovation.
“It cannot replace genuine inspiration, faith, emotion or the personal experiences that shape a song. Those things come from the artist. When used responsibly, AI can help musicians become more creative and productive without replacing their identity,” he said.
Maintaining authenticity remains central to his creative process. Bunjira says every project begins with prayer, Scripture and a clear spiritual message before any technology is introduced.
“My faith always comes first. AI only assists in presenting that message with excellent musical quality. I never allow technology to determine the spiritual direction of my music,” he said.
Listeners have responded positively to the AI-enhanced versions of his songs, praising the richer arrangements and improved production while appreciating that the original gospel message has remained unchanged.
The journey, however, has not been without challenges. Bunjira admits he invested considerable time learning how to use AI effectively while ensuring his music retained its emotional authenticity.
Looking beyond his own career, he believes AI could become an important resource for gospel musicians across Africa, particularly those with limited access to expensive recording studios and production teams.
“If used responsibly, AI can help bridge that gap by making high-quality music production more accessible while allowing artists to focus on ministry and creativity,” he said.
He also urges musicians to use the technology ethically by respecting copyright laws, remaining transparent about their work and avoiding the imitation of other artists without permission.
“Technology should never replace integrity. AI should be used to support creativity, not to deceive audiences or take credit for someone else’s work,” he said.
Currently, Bunjira is working on more AI-reimagined gospel songs alongside new original material. His music is available on major digital streaming platforms, including YouTube, Spotify, Apple Music, Amazon Music, Instagram Music and Facebook Music.
Looking ahead, the Zimbabwean artist hopes to collaborate with more gospel musicians across Africa while continuing to use every available platform to spread hope, faith and the message of Jesus Christ.
“I would encourage fellow musicians not to fear technology but to understand it. Stay grounded in your identity, your values and your purpose. If you remain true to your calling, technology can become a valuable tool for expanding your ministry rather than diminishing it,” said Bunjira.
Bunjira was among the worshippers who attended the Generation Next Conference, held from 16–18 July 2026 at the Celebration Centre in Borrowdale, Harare, where he joined thousands of believers in seeking spiritual renewal and empowerment. The three-day gathering featured a powerful line-up of renowned preachers, alongside sessions of prayer, praise and worship that inspired and encouraged attendees from across the region.
